The world has lost its way with Modernism. With its vague and abstract art and stream of consciousness literature, it has lost touch with anything real or solid. C. S. Lewis once said, “Reason is the natural order of truth; but imagination is the organ of meaning.” Modernism has lost regularity and in attempting to change meaning has lost meaning; by its own definition it cannot be defined. Language is disputed and art left up to interpretation leading into potential chaos. The modern world is a place where paintings of Campbell’s soup cans will hang in an art museum to be praised by critics or modernistic blotches of color like ‘Le rideau jaune’ by Henri Matisse will be considered for their inner meaning. They are a far cry from the tangible reality of the ‘Arnolfini Portrait’ by Jan van Eyck or the ‘Mona Lisa’ by Leonardo Da Vinci.
Wednesday, November 20, 2013
Sunday, November 3, 2013
Henry Wadsworth Longfellow has stood as one of American’s most beloved poets. He looked like a salt fresh from the sea with his mane of white hair and the white beard he never shaved because of the disfiguring burns to his face he sustained after his wife’s dress caught fire one winter evening. He was a fireside poet, a poet people quoted in their homes and thought of when the rain, “clatters along the roofs, Like the tramp of hoofs.” During his life, he was the most popular poet in America.
Edgar Allan Poe accused him of being an imitator and waged what his biographer’s called ‘The Longfellow War’. At first, Poe praised Longfellow, calling him America’s best poet, but soon, he called him, “a determined imitator and a dextrous adapter of the ideas of other people.” It has been speculated that Poe did it to boost the readership of the journal of which he was the editor.
Longfellow has been called an imitator of Tennyson by more than Poe. I’m not a poet, nor am I an English major, yet, when I read some of Longfellow’s lines, I know he must have been a genus.
“I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.…”
Even if Longfellow was not America’s greatest poet, he was America’s dearest. Perhaps he did imitate others, but all great men stand on the shoulders of those who came before. The mathematicians stand on the shoulders of the mathematicians, the scientists on the scientists. It must be that poetry has been built upon poetry. Even Poe must have stood on the shoulders of those who came before; he must have read Jane Austen, Milton and Shakespeare like the rest of us. Poe was brilliant, but he was very egotistical; Longfellow on the other hand, was more humble. In the end, Poe was loved, but Longfellow was loved the most.
When Poe’s short, unhappy life ended on October 7, 1849, after he was found delirious in the streets of Baltimore, Longfellow mourned his death.
"What a melancholy death is that of Mr. Poe,” he wrote, “a man so richly endowed with genius! I never knew him personally, but have always entertained a high appreciation of his powers as a prose-writer and a poet... The harshness of his criticisms, I have never attributed to anything but the irritation of a sensitive nature, chafed by some indefinite sense of wrong."
“The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.…”